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Self-taught
electroacoustic composer, Guillaume Beauron followed nevertheless
the electroacoustic / radio art class of Laurent Sellier in Grenoble
(95-99), and Christine Groult in Pantin (03).
He studied the art of musique concrete composition with Lionel
Marchetti in Lyon (00-02).
He
lives since 4 years in Gaoth Dobhair, county Donegal, Ireland
and works in Ireland and France in music and film production as
a sound engineer, sound editor and electroacoustic composer.
www.mundosonore.com
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universinternational
UI-004 :
c'est à peu près pareil
tous les jours
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Born
in 1963, Composer, improviser…
As an improviser, he plays a singular instrument : hurdy-gurdy
in connexion with electronic processors. In electronic music,
he plays solos under the name of NOL. He has studied fine arts
and builds projects between fine arts and music : creating sound
environments (1990-1998), sound-sculptures with Denis Tricot (Orgue
de Bois/ Wooden Organ) & Jean-Luc Guionnet (Synapses) and
performance/action/body art focusing on speaking and interface
human / machine, keeping the connection with aktionism.
About tape music composition Eric Cordier, close to “musique
concrète”, has built a musical style in which the
sound texture is always used in the respect of his own specificities,
limiting the impact of the sound treatments. Each musical piece
is composed around a strong concept or a deep thematic, according
to questions of society, memory etc.
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universinternational
UI-016 :
La Cité du
Bruit
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Rui
Costa began his public activity as a sound artist in 1997. In
1998 he started a close collaboration with the Spanish musician
Iñaki Ríos inside the project ja_dijiste, which
covers several areas of common interests as sound art, free improvisation
and video creation, using software-based (max/msp, etc.) composition
& improvisation techniques and developing several conceptual
projects such as the intermedia work „Nodar”, presented
in 2002 at the Music Ex Machina festival in Bilbao, Spain.
www.myspace.com/ruigcosta
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universinternational
UI-015 :
dérives
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"l'odrre
des ltteers dnas un mot n' a pas d' ipmrotnncae, la suele coshe
irpmotnate est que la pmeirère et la drenèire siot
à la bnnoe pcale. le rsete puet-êrte dnas un dsérorde
toatl et vuos puoevz tujoruos lrie snas porlbmèe. le creaveu
hmauin ne lit pas cahuqu ltetre elle-mmêe, mias le mot cmmoe
un tuot."
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universinternational
UI-008 : Zo2
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"Je
poussais une exclamation de dégoût. Sur l'écran,
une énorme masse informe de couleurs venait d'apparaître
et d'exploser en tous sens; la caméra se rapprocha pour
un plan serré. De la S.F de série Z, pensais-je.
Voilà ce qui donne mauvaise réputation au genre."
P.K. DICK, SIVA(trilogie divine)
guitar
+ amp + electronics .::..
with Christian Malfray: Nappe, nappe.free.fr
with Thierry Monnier: Sun Stabbed, myspace.org/sunstabbed
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universinternational
UI-005 : Nappe, grinding
rusty rail
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Her
work involves the collection and manipulation of
'real-world' sound material and the exploration of its abstract
properties. Each new sound piece is created by taking everything
possible from the tiniest element
- working to create something from nearly nothing.
Her live sets are intended for dark spaces and involve recombining
and improvising with her sound materials in order to create a
unique environment for each new performance. […]
www.helenagough.net
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universinternational
UI-015 : dérives
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Since
the early 1990s I have explored various approaches to sound generation,
recording and production. My techniques range from the construction
of original instrument devices and the capture of acoustic phenomenon
through environmental field recordings to digital multi-tracking
and manipulation. The resulting compositions are often studies
in extended evolutionary permutations of a selected set of sound
sources. These sources can concentrate on different properties
of sound instigation and emination that can range from the textural
animation of inanimate objects or an open-air mechanical noise
field to overtone resonations from a set of wires stretched across
a room.
www.maaheli.ee
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universinternational
UI-015, with Murmer: dérives
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[…] Much
against a widespread current trend in sound art and the customary
standard in nature recordings, I believe in the possibility of
a profound, pure, 'blind' listening of sounds, freed (as much
as possible) of procedural, contextual or intentional levels of
reference. What is more important, I conceive this as an ideal
form of transcendental listening that doesn't denies all what
is outside the sounds but explores and affirms all what is inside
them. This purist, absolute conception is an attempt at fighting
against the dissipation of this inner world. […]
www.franciscolopez.net
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universinternational
UI-015 : dérives
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"Quelquefois
une idée marche et personne ne sait pourquoi. Ou elle peut
foirer... Vous êtes allés trop loin pour reculer,
de toute manière, non? Alors faites-le et faites-le bien;
quand les APA écouterons le disque, peut-être que
le matériel subliminal leur rentrera dans le crâne
et que ça sera suffisant."
P.K. DICK, RADIO LIBRE ALBEMUTH (tirlogie divine)
filtering
>
laptop + electronics..:..
with Christian Malfray: Nappe, nappe.free.fr
solo: Antirim, www.plusmoins.net
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universinternational
UI-005 : Nappe, grinding rusty
rail
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a
music that is not yet definite, pre-determined, but that is only
possible, through our perception of an undetermined environment,
and ponctual, as it happens only when it matches its coincidental
emotion. Then, it is not possible to mistake music with its products,
knowledges and phenomenons : the technique and the langage, the
concert and the home-listening are replaced into their musical
becoming, maybe as well as the reality itself, wherein compressors
sings to the careful ears
www.palimeursault.net
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universinternational
UI-001 : zetein
universinternational UI-006 : promenade
universinternational UI-015 : dérives
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He
self-taught music and also studied at the Groupe de Recherches
Musicale. His work as a sound engineer inclined him towards the
sound matter and its malleable evolutions. He composes concrète
music and phonographies wherein the listener is confronted to
decontextualisation and memories of sound, in order to smear his
musical perception of nature.
www.emieville.free.fr
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universinternational
UI-014 : el boom
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* * * * * * * * * * * * * * * * * * * * * * * *
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
* * * * * * * * * * * * * * * * * * * * * * * * * *
myspace.org/sunstabbed
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universinternational
UI-007 : intermezzo
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Percussionist
and drummer, he plays improvised music since 1982, noticeably,
he has worked with such musicians as Fred Frith, Tom Cora, Keiji
Haino, K.K.Null, Jérôme Noetinger ... He currently
works as a trio with Thierry Madiot, Pascal Battus and as a duet
with Antez.
in.ouir.free.fr/murayama.htm
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universinternational
UI-010, with Michael Northam :
they stood around and
watched
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Murmer
(Patrick McGinley)
American
born sound and performance artist who has lived and worked in
europe since 1996. he has composed works for several theatre performances,
including the works of his own company, as well as performing
live soundworks for others. in 2002 he co-founded framework, an
organisation that produces a weekly radio show on london's resonance
fm. his work concentrates on the framing of sounds from our environment
which normally pass through our ears unnoticed and unremarked,
but which out of context become unrecognisable, alien and extraordinary:
crackling charcoal, a squeaking escalator, a buzzing insect, or
one’s own breath.
www.murmerings.com
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universinternational
UI-015 : dérives
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my
work has grown from a fifteen year evolution of activities focused
on the discovery, observation and experience of unique organically
and inorganically driven sound phenomena. […] the discoveries
are later woven and worked intuitively to create non referential
sound works that test and exercise aural and temporal perception—discovering
ways to suspend time and enfold sound.
preg.org/~mnortham
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universinternational
UI-010, with Seijiro Murayama :
they stood around and
watched
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(my-ym)
- architect, phonographer and sound artist based in Riga, Latvia.
Active in field recording since 2002. Focusing on sound gathering
as non intervention policy for observation of structural models
in nature. Usually field studies such as field-mix, soundscape
mapping, sound-gathering become basic material for following work
in studio. In his field research mainly interested in biotopes
referring habitats of insects and small creatures, self-referent
and macro scale structures. Recently involves self-made acoustic
and electroacoustic instruments and sound objects as tools for
mutual discourse with nature. In 2007 initiated sound impromptu
collective "bernu rits" - "children morning".
www.bernurits.com
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universinternational
UI-015 : dérives
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Artist-composer
and self-taught musician, Thomas Tilly uses the microphone as
his main instrument of work. In 2001 he creates Tô, a solo
project of concrete music focusing on environmental sounds and
found-objects manipulations. In this view, the composition and
publication on disc of such sound material have to be considered
as a sonic synthesis of a place during a certain periode of time.
(N.B. this method requires to stay, observe and study the architectural
aspects of the place in order to formulate a personal view and
interpretation of it). The knowledge of Thomas Tilly is also used
for sound-installations allowing to develop and enlarge the logic
of specific datas collected in a place – via various systems
of triggering/diffusion in situ.
thomas.tilly.free.fr
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universinternational
UI-015 : dérives
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